Posting the best videos from the Internet, Movies and TV, before they go Viral! You saw it here first!
Ahmad Mulakhil, a 23-year-old Afghan asylum seeker, was found guilty at Warwick Crown Court of raping and abducting a 12-year-old girl in Nuneaton, along with additional sexual offences. The court heard that he had committed the attack on 22 July and was later identified by police after using a government-funded payment card to buy energy drinks just minutes after leaving the scene.
Guy has been ready for this moment his entire life!
Turning Point USA’s “All-American Halftime Show” on Super Bowl Sunday on February 8, 2026 brought a buzz of its own to the sidelines of the NFL’s big game. Streamed live online while the official Super Bowl halftime performance was taking place, the event featured lively sets from Kid Rock, Brantley Gilbert, Lee Brice and Gabby Barrett. Across platforms like YouTube and other streaming sites, millions of viewers tuned in to enjoy a mix of country and rock influences that celebrated themes many felt strongly about. Within just 14 hours viewership climbed past 19 million, a solid showing for a broadcast produced independently of the main NFL spectacle.
Botchamania is a long running, fan made wrestling video series that lovingly collects the strangest, funniest and most chaotic moments from the world of professional wrestling, turning slips, missed cues and on air disasters into pure entertainment. Created with clear affection rather than mockery, it blends botched moves, awkward promos, production mistakes and bizarre commentary with sharp editing, running jokes and playful music choices, so each episode feels like an in joke shared between fans. It celebrates the messy human side of wrestling, the bits that were never meant to happen, and somehow makes them just as memorable as the big matches, giving viewers something light hearted, nostalgic and consistently funny to dip into whenever they want a laugh.
Nicki Minaj has risen from humble beginnings in Queens, New York to become one of the most influential figures in modern music, blending sharp lyricism with boundary-pushing creativity to redefine hip hop for a global audience. Across a career filled with chart success, she has also lent her voice and resources to a range of causes, supporting disaster relief, education and humanitarian efforts while advocating for fundamental rights and human dignity. In recent years she has drawn international attention to the plight of Nigerian Christians facing violence and insecurity, using social media and platforms like a United Nations event to call for awareness, religious freedom and unity in defending people who simply want to worship in peace, reflecting her own faith-inspired commitment to speaking up for the vulnerable.
Television adverts are meant to grab attention, but some pushed so hard they ended up being pulled from the air entirely. Over the years, broadcasters have banned commercials that frightened children, offended families, caused real world harm, or crossed lines viewers were not prepared to accept. These adverts often worked in the short term. People talked about them, remembered them, and shared them. The problem was what came next. Complaints flooded in, regulators stepped in, and brands were forced to retreat after discovering that shock does not always equal success.
Some bans came from fear, like the Kinder Surprise Eggman advert from 1983, where a hyper realistic puppet meant to charm children instead terrified them. Others were banned for their message, such as a Belgian condom advert that ended with a child’s supermarket tantrum and the blunt instruction to use condoms, which many felt mocked parenthood. In Britain, Tango’s famous Orange Man campaign was pulled after children copied the slap seen on screen and one ended up in hospital with a damaged eardrum. Microsoft faced a similar backlash with an Xbox advert showing a baby launched from birth to death in seconds, which viewers found disturbing rather than inspiring. The most serious case came in 2011, when a Citroën advert featuring rapid flashing text triggered epileptic seizures, leading to an outright ban and stricter safety standards. These commercials are still remembered not because they sold products, but because they revealed how quickly attention can turn into outrage when advertising forgets its audience.
Joe Rogan calls out all the “wild” edits MSNBC did to make Alex Pretti “much more handsome.”
“CNN turned me green… and [MSNBC] made him handsome.”
“They made him handsome so people would be more sympathetic to him getting shot.”
“Look at the difference! They shortened up his face. They gave him a little bit of a tan. They widened his face a little bit, it seems like.”
“They shrunk his nose, gave him a little bit of handsome jaw… they changed the tone of the color.”
“They changed his f*cking teeth! They gave him veneers. Look at the differences in his teeth.”
“He’s a much more handsome guy. Like that one on the right is like the handsome brother, and the one on the left is like, ‘F*ck. Why couldn’t I look like the one on the right?’”
Alex Pretti - Not Such a Good Guy After All
The media and politicians lied to you again. Footage is from a week earlier than the incident with ICE.
Step into the strange and uncomfortable world of the circus sideshow, where people pushed to the margins of society were placed under the spotlight. Beneath the bright lights and loud music were lives shaped by both opportunity and exploitation. Performers with rare conditions were presented as wonders, drawing huge crowds while also facing ridicule, restriction, and, in some cases, outright bans for being considered too shocking for public display.
This piece looks at thirty real individuals whose lives unfolded within that world. It asks what daily life was like for them and how they coped with fame, discrimination, and the limits placed on them by society. Their stories challenge simple ideas of spectacle and cruelty, revealing an era of entertainment where admiration and exploitation often existed side by side, leaving a complicated and lasting mark on history.
Andre René Roussimoff was born in France in 1946 and grew to become one of the most recognisable figures in professional wrestling history. His extraordinary size, caused by acromegaly, set him apart from an early age and eventually shaped his entire life. By the time he entered wrestling, Andre was already a natural attraction, combining immense physical presence with surprising agility. He wrestled across Europe, Japan, and the United States, earning the nickname The Eighth Wonder of the World and becoming a central figure in the rise of wrestling as global entertainment.
Outside the ring, Andre became a cultural icon, most famously through his role as Fezzik in The Princess Bride, where his gentle charm contrasted with his intimidating stature. Despite his fame, his life was marked by constant physical pain and the challenges that came with his condition. Andre continued performing long after it became difficult, driven by loyalty to fans and promoters. He died in 1993 at the age of 46, leaving behind a legacy that blended myth, spectacle, and genuine humanity in a way few performers ever have.
Climate executives spill SECRETS about “Carbon Taxes,” weather modification, and chemtrails.
A WEF climate elite who works with three-letter agencies and DARPA discusses hidden plans about “artificial rain.”
“Black Rock is behind us!”
O’KEEFE INFILTRATES DAVOS WORLD ECONOMIC FORUM:
— James O'Keefe (@JamesOKeefeIII) January 20, 2026
Climate executives spill SECRETS about “Carbon Taxes,” weather modification, and chemtrails.
A WEF climate elite who works with three-letter agencies and @DARPA discusses hidden plans about “artificial rain.”
“Black Rock is behind… pic.twitter.com/WW158l5rHT
Online trading has evolved from a niche financial activity into a truly global, mainstream phenomenon. Advances in technology, widespread internet access, and the growth of mobile trading platforms have made it possible for millions of people to trade currencies and other financial instruments from almost anywhere in the world. As participation expands, so does scrutiny, which explains why many newcomers quickly begin asking “is OctaFX legit or safe?” when exploring international trading platforms for the first time.
Ultimately, popularity invites attention, and attention invites scrutiny. In the global forex market, clearer understanding comes from education, verified information, and realistic expectations — not from assumptions shaped by online noise. Traders who evaluate platforms through documented practices and long-term consistency are far better equipped to navigate online trading with confidence.
The Charlie and Amelia memes emerged as a sharp online backlash to a UK state funded video game designed to steer young people away from extremism. The game, Pathways, cast players as Charlie, a teenager navigating social and political choices, with other characters used to signal perceived risks. Amelia, presented as outspoken on immigration and framed as a warning sign of far right influence, quickly became the flashpoint. Many viewers felt the portrayal blurred the line between extremism and ordinary political opinions, and that it painted a narrow and unfair picture of teenage attitudes. Screenshots and clips spread rapidly, with criticism focusing on the idea that normal teenage views were being treated as something dangerous or suspect.
Rather than discouraging discussion, the game appeared to do the opposite. Amelia in particular was adopted by online communities and transformed into a meme figure, often shared ironically or affectionately in ways that undercut the original message. Charlie and Amelia became shorthand for scepticism towards government funded messaging and the tone it takes when talking about young people and politics. The memes thrive on exaggeration and humour, but they also reflect a deeper frustration with how complex views are simplified and moralised. What began as an educational project ended up fuelling a cultural moment, where satire and mockery became the dominant response.
"Does Brazilian Jiu Jitsu work in self-defense or street fight? Today I compete in a Jiujitsu tournament to see what happens if you don't go to the ground. Because that's the last place you wanna be in real life."
Brazilian Jiu Jitsu is a grappling based martial art that focuses on leverage, positioning, and control rather than strength or striking. It teaches how to take an opponent to the ground and use technique to dominate, escape, or submit, often allowing smaller people to overcome larger ones. Training revolves around live sparring, patience, and problem solving, with constant emphasis on timing and efficiency. More than just a fighting system, it develops calm under pressure and a methodical mindset, which is why many practitioners describe it as physical chess rather than a traditional combat sport.
Borat Sagdiyev arrived as a fictional television reporter from Kazakhstan, but quickly became something far more disruptive. Created and performed by Sacha Baron Cohen, the character used absurd manners, broken English, and fake innocence to expose real attitudes by placing ordinary people in uncomfortable situations. The humour came from contrast. Borat behaved outrageously, yet the most revealing moments often belonged to those reacting to him, not the man himself.
The character reached a wider audience with the feature films, where improvised encounters sat alongside a loose narrative about culture, masculinity, and prejudice. What made Borat endure was not just shock value, but the way comedy was used as a mirror. Viewers laughed, then hesitated, then laughed again with a sense of unease. Borat blurred the line between satire and reality, proving that a joke, when pushed far enough, can say something sharp about the world it is aimed at.
An eleven year old from North Minneapolis has become an unexpected internet sensation after a single photograph captured the pure joy of learning to snowboard. Mickey Watkins does not have a board built for the sport, instead making do with a plastic tote bin lid as he slides down a local hill. It is not ideal and he admits it is hard, but it has not stopped him trying. Inspired by professional snowboarders he watched the previous winter, Mickey gravitated towards a photoshoot taking place near a set of stairs and a railing and began showing off his own improvised style.
The moment was noticed by photographer Mike Yoshida, who snapped a striking image of Mickey mid slide, eyes bright and smiling. Unlike many snowboard photos where faces are hidden behind goggles, this one showed emotion clearly and took people straight back to their own first experience on a board. The image was later chosen as the cover of The Snowboarders Journal, a decision that broke with tradition but felt right to those involved. The reaction online was immediate and overwhelmingly positive, with many calling it one of the publication’s best covers. For Yoshida, it may be one of the most important photos he has taken, sending a simple message that snowboarding is for everyone and that all you really need is the urge to slide down a hill.
Chapters:
00:00 Minnesota's billion dollar fraud scandal
1:24 Minnesota's fraud explained
4:33 The type of fraud happening
7:00 Confronting the 1st fraudulent Daycare
9:36 Minnesota's state flag change
11:02 Confronting the 2nd fraudulent business
12:41 Somali Fraudsters confront us outside daycare
16:30 Quality "Learing" Center
18:14 Local reacts to the fraud
20:17 Entering into the daycare and autism fraud centers
24:09 Exposing a double fraud daycare
26:21 Exposing the "Health care" Fraud scandal
30:32 2nd Building with 22 "Health care" companies
34:32 "WHERE ARE THE CHILDREN?"
39:50 Confronting the government
New Year’s Day stands as one of U2’s most recognisable songs, a track that announced a shift in the band’s sound and ambition. Built around a stark piano line and a steady, almost martial rhythm, it feels reflective rather than celebratory. The mood is restrained, thoughtful, and slightly distant, as if looking at the idea of renewal from the outside rather than joining the party. Bono’s vocal carries a sense of longing, turning the idea of a fresh start into something heavier and more complicated.
Lyrically, the song uses the language of time, change, and hope to hint at conflict and perseverance. It is not a simple anthem about turning the calendar page, but a meditation on how ideals survive under pressure. That balance between emotional intimacy and broader meaning became a defining trait of U2’s work. New Year’s Day remains powerful because it resists easy optimism, choosing instead to suggest that real change is slow, difficult, and worth holding on to.
