Posting the best videos from the Internet, Movies and TV, before they go Viral! You saw it here first!
On the March 9, 2026 episode of WWE RAW, Seth Rollins arrived accompanied by a group of masked men, using a clever shell game tactic to throw The Vision off balance. The segment left the audience buzzing as chaos unfolded in the ring.
Vince Russo has a little fun looking at the segment.
James Talarico is a politician whose career has often drawn criticism for his lack of substantive legislative achievements and tendency to focus on high-profile media appearances over tangible results for his constituents. Critics argue that his policy positions are inconsistent, leaving voters uncertain of his priorities, and that his rhetoric sometimes leans more toward self-promotion than meaningful problem-solving. Despite holding public office, he has struggled to establish a track record of measurable impact, which has led some observers to question his effectiveness and long-term commitment to the communities he represents.
Oh and he is super creepy.
Danhausen is a professional wrestler and entertainer known for blending horror, comedy, and classic wrestling showmanship into a character that stands out in modern wrestling. With his distinctive face paint, strange sense of humour, and constant references to being both “very nice” and “very evil”, he has built a loyal fan following across independent wrestling promotions and major television audiences. Danhausen first gained wider attention on the independent circuit before appearing for All Elite Wrestling, where his unusual personality and commitment to character made him instantly recognisable. Mixing spooky theatrics with playful absurdity, he has turned his persona into a cult favourite, proving that wrestling characters can still feel unique, strange, and memorable in the modern era.
He has now signed for WWE
Tommy Robinson is a British independent journalist and political activist known for his outspoken style and direct approach to reporting. Through online videos, public speaking, and social media, he has built a large audience by focusing on issues he believes are overlooked by mainstream media. Supporters often view him as a citizen journalist who challenges established narratives and raises questions about freedom of speech, public safety, and accountability. His work has sparked significant debate across the United Kingdom and beyond, and he remains a prominent and controversial voice in modern British political discussion.
The drama of short track speed skating unfolded in brutal fashion for Kamila Sellier when she was struck in the eye during competition at the Olympic Games. Racing at full pace in a tightly packed field, Sellier became caught in close contact with fellow skaters, a common but dangerous feature of the discipline. In the split second chaos of blades and elbows, she was hit in the face, bringing sudden concern to what had been a fiercely contested heat.
Medical staff responded quickly as the race concluded, assessing the extent of the injury while spectators watched in tense silence. Short track is known for its intensity and razor thin margins, where athletes compete shoulder to shoulder at high speed, and incidents can happen without warning. Sellier’s collision was a stark reminder of that reality, turning an Olympic moment into one defined as much by resilience as by competition.
Kamila Sellier podczas rywalizacji w short tracku na igrzyskach olimpijskich została trafiona w oko 👁️🙆♀️ pic.twitter.com/yxvbMpiinA
— Belarus ⬜️🟥⬜️🤝Ukraine 🇺🇦 (@Propeertys) February 20, 2026
Recent research paints a concerning picture of life for younger generations. Where once standardised test scores appeared to climb steadily, some measures now show declines compared to previous generations. This shift suggests that the gains in educational performance seen over decades may be slowing or reversing in some places.
At the same time, mental health struggles among young people are rising sharply. Surveys in several countries have found higher proportions of teenagers and young adults reporting symptoms of anxiety, depression and emotional distress than in years past. These reports come from official health data and academic studies, and they indicate a broader pattern of psychological strain that was less prevalent in earlier generations.
Changes in social life are also evident. Fewer young people today say they are in romantic relationships, and some research shows that many in this age group are delaying dating or marriage. Social habits have shifted in ways that reflect new priorities, technologies and pressures.
Self‑reported wellbeing is another area where contrasts with earlier times are clear. In a number of surveys, less than half of young adults describe themselves as “thriving” or experiencing high levels of life satisfaction. This does not mean every young person is unhappy, but it does highlight that many feel they are not flourishing in the way that might have been expected in previous generations.
Taken together, these trends point to a period of significant challenge for young people. Declining performance on some standardised measures, rising mental health concerns, shifts in social and romantic life, and lower levels of self‑reported thriving all suggest that the experience of growing up today is markedly different from what it was for earlier generations.
Transport for London had a Facebook advert removed after the Advertising Standards Authority ruled that a short clip from its “Act Like a Friend” campaign reinforced a negative racial stereotype about black males. The clip showed a black teenage boy verbally harassing a white girl on a bus while a white male friend sat beside her. The ASA said that when seen on its own the video could be interpreted as linking black males with threatening behaviour and that it was therefore irresponsible and harmful. TfL explained that the shortened edit that was complained about was part of a longer film showing a range of scenarios and characters, and said it would no longer use that specific clip.
The ruling has struck some as absurd. The original campaign was aimed at encouraging people to intervene safely in cases of sexual harassment and hate crime on the transport network. The advert was reflecting a real problem that passengers can face, and it showed a situation in which a bystander could step in. Yet the ASA decision means that unless the perpetrator in such adverts is a white man, the clip is likely to be banned. A single viewer complaint led to this outcome and TfL has now withdrawn the short edit in question, even though the longer film had broader context and accuracy in showing the issue it was designed to address.
The most recent official UK figures show that for all types of recorded crime across England and Wales, black people were arrested at a rate of about 20.4 per 1,000 people in the year to March 2023 compared with a rate of 9.4 per 1,000 for white people.
The Streisand effect is a phenomenon where attempting to suppress or censor information only makes it more widely known. It is named after Barbra Streisand, who in 2003 tried to prevent photographs of her Malibu home from being published online, which inadvertently drew far more attention to the images than if she had done nothing. Essentially, the more effort is made to hide something, the more people notice it and share it, often turning the attempt at control into a form of viral publicity.
A high school hockey game at the Dennis M. Lynch Arena in Pawtucket, Rhode Island, turned tragic when gunfire erupted among spectators gathered for a senior night event. Police responded to reports of shots fired and later confirmed that two people were killed and several others were injured. The suspect was found dead at the scene from a self inflicted gunshot wound. Authorities identified the shooter as a transgender woman, publicly named in official statements, and described the incident as stemming from a domestic dispute rather than a random attack.
Investigators have indicated that the victims were connected to the suspect, and early findings point to family tensions as part of the background to the violence. The shooting caused panic inside the arena, with players and attendees seeking shelter as officers secured the building. Local officials expressed shock and sorrow at the loss of life, while the wider community continues to process the impact of yet another example of Trans violence occurring at what should have been a routine school sporting event.
Jacob Rees-Mogg is a British politician, author and businessman who spent more than a decade at the centre of UK public life. First elected as Conservative MP for North East Somerset in 2010, he became a well known parliamentary figure and went on to serve in senior government posts including Leader of the House of Commons and Secretary of State for Business, Energy and Industrial Strategy. Alongside politics, he built a career in investment management as a co-founder of Somerset Capital Management, reflecting a long standing interest in economics and global markets. Educated at Eton and Oxford, he is recognised for his articulate debating style, deep engagement with constitutional issues and a distinctive public persona that made him one of the most recognisable figures in modern British politics.
Ahmad Mulakhil, a 23-year-old Afghan asylum seeker, was found guilty at Warwick Crown Court of raping and abducting a 12-year-old girl in Nuneaton, along with additional sexual offences. The court heard that he had committed the attack on 22 July and was later identified by police after using a government-funded payment card to buy energy drinks just minutes after leaving the scene.
Guy has been ready for this moment his entire life!
Turning Point USA’s “All-American Halftime Show” on Super Bowl Sunday on February 8, 2026 brought a buzz of its own to the sidelines of the NFL’s big game. Streamed live online while the official Super Bowl halftime performance was taking place, the event featured lively sets from Kid Rock, Brantley Gilbert, Lee Brice and Gabby Barrett. Across platforms like YouTube and other streaming sites, millions of viewers tuned in to enjoy a mix of country and rock influences that celebrated themes many felt strongly about. Within just 14 hours viewership climbed past 19 million, a solid showing for a broadcast produced independently of the main NFL spectacle.
Botchamania is a long running, fan made wrestling video series that lovingly collects the strangest, funniest and most chaotic moments from the world of professional wrestling, turning slips, missed cues and on air disasters into pure entertainment. Created with clear affection rather than mockery, it blends botched moves, awkward promos, production mistakes and bizarre commentary with sharp editing, running jokes and playful music choices, so each episode feels like an in joke shared between fans. It celebrates the messy human side of wrestling, the bits that were never meant to happen, and somehow makes them just as memorable as the big matches, giving viewers something light hearted, nostalgic and consistently funny to dip into whenever they want a laugh.
Nicki Minaj has risen from humble beginnings in Queens, New York to become one of the most influential figures in modern music, blending sharp lyricism with boundary-pushing creativity to redefine hip hop for a global audience. Across a career filled with chart success, she has also lent her voice and resources to a range of causes, supporting disaster relief, education and humanitarian efforts while advocating for fundamental rights and human dignity. In recent years she has drawn international attention to the plight of Nigerian Christians facing violence and insecurity, using social media and platforms like a United Nations event to call for awareness, religious freedom and unity in defending people who simply want to worship in peace, reflecting her own faith-inspired commitment to speaking up for the vulnerable.
Television adverts are meant to grab attention, but some pushed so hard they ended up being pulled from the air entirely. Over the years, broadcasters have banned commercials that frightened children, offended families, caused real world harm, or crossed lines viewers were not prepared to accept. These adverts often worked in the short term. People talked about them, remembered them, and shared them. The problem was what came next. Complaints flooded in, regulators stepped in, and brands were forced to retreat after discovering that shock does not always equal success.
Some bans came from fear, like the Kinder Surprise Eggman advert from 1983, where a hyper realistic puppet meant to charm children instead terrified them. Others were banned for their message, such as a Belgian condom advert that ended with a child’s supermarket tantrum and the blunt instruction to use condoms, which many felt mocked parenthood. In Britain, Tango’s famous Orange Man campaign was pulled after children copied the slap seen on screen and one ended up in hospital with a damaged eardrum. Microsoft faced a similar backlash with an Xbox advert showing a baby launched from birth to death in seconds, which viewers found disturbing rather than inspiring. The most serious case came in 2011, when a Citroën advert featuring rapid flashing text triggered epileptic seizures, leading to an outright ban and stricter safety standards. These commercials are still remembered not because they sold products, but because they revealed how quickly attention can turn into outrage when advertising forgets its audience.
Joe Rogan calls out all the “wild” edits MSNBC did to make Alex Pretti “much more handsome.”
“CNN turned me green… and [MSNBC] made him handsome.”
“They made him handsome so people would be more sympathetic to him getting shot.”
“Look at the difference! They shortened up his face. They gave him a little bit of a tan. They widened his face a little bit, it seems like.”
“They shrunk his nose, gave him a little bit of handsome jaw… they changed the tone of the color.”
“They changed his f*cking teeth! They gave him veneers. Look at the differences in his teeth.”
“He’s a much more handsome guy. Like that one on the right is like the handsome brother, and the one on the left is like, ‘F*ck. Why couldn’t I look like the one on the right?’”
